Another couple of hours concentrating on mostly the values. To achieve realism the lights and darks have to be right. Many paintings fail because of washed out differences between the lightest and darkest values. It’s hard to judge how dark something like a shadow really is and scary to put a very dark colour on a very bright area. It’s especially hard in watercolours because what a colour looks like when you first put it on is not what it will be when it dries. Watercolours dry 30% lighter than when they are applied. That is why there has to be many washes of colour as I gradually build up the darker values. The other problem with dark values is that the eyes and brain of a person viewing the scene in real life looks different than a photo. In real life the brain adjusts what it sees in the shadows for better vision. A picture records the values really there. That’s why the artist has to make constant decisions about how dark things in shadows should be to get the effect they are trying to achieve.
Most of this session was concentrating on the furniture and shadows on the wall. Still more washes to come.